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Game Review: Sleaford Mods' Jason Williamson Takes On Character in Critical Look at Ecstasy Generation Era

Helmed by Portishead co-founder Geoff Barrow, this sharp-edged if undernourished first film turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Poacher denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single important plot development, but it results in a hilariously staged chaotic run on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film releases in British and Irish cinemas from November 17.

JH
By

Joshua Harrison

A cultural historian and writer with a passion for uncovering forgotten stories and traditions across diverse societies.

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